“Widely believed to be the model for the setting of Miyazaki Hayao’s Oscar-winning anime Sen to Chihiro no kamikakushi (Spirited Away), Meguro Gajoen offers a lavish, magnificent and hyperkitsch interior … In 1928, founder Hosokawa Rikizo built Gajoen to offer a casual but museum-like setting wherein visitors could enjoy food and a bath, transplanting to Meguro the iki aesthetics of Edo culture considered peculiar to Asakusa.”
– Cinema Anime, edited by Steven T. Brown, 2008
From the wiki: “Opened in 1931 and known as the Showa Era’s ‘Palace of the Dragon God,’ Meguro Gajoen was the first wedding complex to be built in Japan. Housing the Hyakudan Kaidan (100 steps staircase), it is a Registered Tangible Cultural Asset. Recent accolades include a three-pavilion rating in the 2009 and 2010 Michelin Hotel Guide, with the elaborately re-designed (in 2006) hotel and restaurants open all year round to host Japanese, Western and other style weddings.
“The founder, Hosokawa Rikizo, first began his business as a first-class Japanese restaurant. Then, Hosokawa added an annex which contained banquet rooms, guest rooms, a shrine, a church, costume salon, beauty salon, and photo studio in order to create Japan’s first ‘All-In-One’ banquet or wedding hall.
“When the original Gajoen was established in 1931, Tokyo was recovering from a devastating earthquake. Houses were cramped and barely equipped with electricity and running water, and the average person probably led a wretched life. In addition, home decorations available to the common people were limited. The old Gajoen might have been called a fairyland of sorts, which brought each of those people’s dreams and fancies together in one place.
“Among the extravagant interiors preserved from the original site are the ‘Hyakudan kaidan’, the ‘100-Step Staircase’. There are, in reality, only 99 steps – hyaku dan can also mean ‘the end’ whereas a homonphone of ’99’ can also mean ‘forever’.”
“Meguro Gajoen is one of the biggest [wedding halls] in Tokyo, and as a study in anthropology you can hardly beat it. ‘Wedding hall’ does not do justice to its many storeys of chapels, banquet halls, expensive restaurants and hotel rooms. The impossibly long corridor connecting them is lined with friezes of geisha and samurai and often festooned with flowers, while floor-to-ceiling windows look out upon a drop-dead hillside garden.”
– Tokyo, by Andrew Bender, Wendy Yanagihara