“We know that [Ian] Fleming had decided to write a Bond novel set in Japan after his first visit [in 1962] but Fleming was also planning the book when Japan was very much in the forefront of the West’s mind not least as she was about to host the Tokyo Olympic Games.
“… By the time Fleming flew into Haneda he was now a globally recognized celebrity and was whisked through immigration and customs. In a biography it says he played the part: puffing on his Moreland cigarettes, carrying a shooting stick and wearing his signature light-weight blue suit and polka-dot bow tie.
“Unlike his first visit Fleming was able to stay in a Western-style hotel, the brand new Hotel Okura: a first-class hotel with western rooms and beds; the hotel boasted in their advertising of having 550 rooms with TV and radio, a Japanese spa and a Turkish bath.
“The hotel had opened a few months before Fleming arrived, anticipating that the economic boom was unstoppable and that significant business would come from the Tokyo Olympics. Its competition for the top spot was the regal Imperial Hotel that had ruled unchallenged for decades. This was about to change.
“With a burst of inspiration, Kishichiro Okura, the hotel’s owner, brought together an imaginative group of individuals in the late 1950s with a brief to combine both Western modern and traditional Japanese elements in the design. That group included the architects Yoshiro Taniguchi and Hideo Kosaka, the artist Shiko Munakata and the potter Kenichi Tomimoto. Together they moulded a unique design – that used the indigenous colours, textures, and materials of Japan within a Modernistic flourish – into a masterpiece that could never be reproduced again.”
– Fleming, Bond, and Connery in Japan: The Japan Story of “You Only Live Twice”, by Graham M. Thomas, 2016